Trittico della Carne I (Triptych of the Flesh I) 2017
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Trittico della Carne II (Triptych of the Flesh II) 2017
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Trittico della Carne III (Triptych of the Flesh III) 2017
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Trittico Sculture - Venere (Triptych of the Sculptures - Venus) 2017
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Trittico Sculture - Venere che dorme (Triptych of the Sculptures - Sleeping Venus) 2017
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Trittico Sculture - Angelo e Leone (Triptych of the Sculptures - Angel and Lion) 2017
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Scorcio di Edimburgo (Edinburgh point of view) 2017
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Vaso rose Antigua (Antigua roses) 2017
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Vaso giapponese (Japanese vase) 2017
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Trittico Oriente I (Triptych of the East I) 2017
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Trittico Oriente II 2017
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Trittico Oriente III (Triptych of the East III) 2017
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Iris (Iris) 2017
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Rosa rossa (Red rose) 2017
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Corallo (Coral) 2017
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Scorcio di Venezia (Venezia point of view) 2017
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Rosa Angel Eyes (Angel Eyes rose) 2017
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Margherite (Daisies) 2017
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Scorcio di Berlino (Berlino point of view) 2017
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Pianta grassa (Succulent plant) 2017
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Venezia porta azzurra (Venice blue door) 2017
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Vaso peonie (Vase of Peonies) 2017
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Venezia con fori (Pierced Venice) 2017
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Peonia HK (HK peony) 2017
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Peonia e bicchiere (Peony and glass) 2017
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Scorcio di Londra (London point of view) 2017
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Fiori dell'aglio (Garlic flowers) 2017
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Scorcio di Normandia (Normandy point of view) 2017
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Rosa gialla (Yellow rose) 2017
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Scorcio di Trieste (Trieste point of view) 2017
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Scorcio di Basilea (Basil point of view) 2017
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Donnalucata (Donnalucata, Sicily) 2018
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Berlino I (Berlin I) 2018
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Berlino II (Berlin II) 2018
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STRAPPI D'IMMAGINE
A cura di Roberto Mutti
Abituata a creare intensi dialoghi fra diverse forme espressive, Francesca Moscheni sottolinea la delicatezza di una immagine e la isola in uno spazio che riempie dei frammenti di una fotografia strappata. Che la carta scopra o nasconda, l’autrice lo rivela accostando alle immagini oggetti appoggiati su un cartoncino nero, oppure intervenendo con una violenta lacerazione: quella della carne che da sotto emana lampi di un rosso fiammeggiante.
5 - 18 Giugno 2017
Galleria Carte Scoperte, Milano
STRAPPI D'IMMAGINE
introduction text by Roberto Mutti
Since she's accustomed to creating intense interrelations between different forms of expressions, Francesca Moscheni highlights the delicacy of an image and she isolates it into a space filled with fragments of ripped up photographs. Whether the paper unveils or hides, the author reveals it by either matching images together with objects laid on black cardboard or by inflicting a brutal laceration: that very same laceration of the flesh through which flaming red lightnings overflow.
5th - 18th June 2017
Carte Scoperte Gallery, Milan
A cura di Roberto Mutti
Abituata a creare intensi dialoghi fra diverse forme espressive, Francesca Moscheni sottolinea la delicatezza di una immagine e la isola in uno spazio che riempie dei frammenti di una fotografia strappata. Che la carta scopra o nasconda, l’autrice lo rivela accostando alle immagini oggetti appoggiati su un cartoncino nero, oppure intervenendo con una violenta lacerazione: quella della carne che da sotto emana lampi di un rosso fiammeggiante.
5 - 18 Giugno 2017
Galleria Carte Scoperte, Milano
STRAPPI D'IMMAGINE
introduction text by Roberto Mutti
Since she's accustomed to creating intense interrelations between different forms of expressions, Francesca Moscheni highlights the delicacy of an image and she isolates it into a space filled with fragments of ripped up photographs. Whether the paper unveils or hides, the author reveals it by either matching images together with objects laid on black cardboard or by inflicting a brutal laceration: that very same laceration of the flesh through which flaming red lightnings overflow.
5th - 18th June 2017
Carte Scoperte Gallery, Milan
